Archive for the ‘Artwork’ Category

Accept Unveils "Stalingrad" Artwork And Track List

Wednesday, February 22nd, 2012

German legends Accept have unveiled the album artwork and track listing for the bands forthcoming LP Stalingrad. The album is set for release on April 6, 2012. The album was produced by Andy Sneap (Sabbat) and will come as a CD, 2LP (red/white) or limited edition CD with a bonus DVD with live content from the Blood of Nations tour and official video clips.

Guitarist Wolf Hoffman had the following comments on the expectations of the new album:

We put ourselves under enormous pressure to bring out a new album right after this tour marathon, which brought us two times around the globe. But we are very proud about what we delivered with STALINGRAD and we hope our fans will like it as well

The track list for Stalingrad consists of the following songs:

1. Hung, Drawn And Quartered.
2. Stalingrad
3. Hellfire
4. Flash To Bang Time
5. Shadow Soldiers
6. Revolution
7. Against The World
8. Twist Of Fate
9. The Quick And The Dead
10. Never Forget (bonus track)
11. The Galley

The DVD track list is as follows:

1. Princess Of The Dawn (OFFICIAL BOOTLEG Live @ Bang Your Head 2011)
2. Pandemic (OFFICIAL BOOTLEG Live @ Bang Your Head 2011)
3. No Shelter! (OFFICIAL BOOTLEG Live @ Bang Your Head 2011)
4. Teutonic Terror (Live @ Masters Of Rock 2010)
5. The Abyss (ive @ Masters Of Rock 2010)
6. Teutonic Terror (video clip)
7. Pandemic (video clip)

Area Man’s Artwork Featured at Phipps

Tuesday, February 21st, 2012

Area Mans Artwork Featured at Phipps

Francis Cleetus friends at the Hindu Jain Temple in Monroeville recommended his artwork. The ceiling murals will be on display for three years.

Evans Blue Frontman Dan Chandler Dishes on Album Artwork

Tuesday, February 14th, 2012

Rockers Evans Blue recently debuted the artwork for their new album, ‘Graveyard of Empires,’ which drops April 17. Upon first look, the ghoulish cover appears to be a cityscape covered by a film of grunge, overcome by darkness and evil. Nestled within the city, a lone coffin emits a delicate puff of smoke that at first glance might seem like just that. But if you look closer, it’s actually the silhouette of a dancer, rising out of the darkness. The artwork packs a punch of not just visual stimulation but also offers food for thought and implied social commentary.

We figured no one could give us better insight into the artwork than the band itself, so we caught up with Evans Blue frontman Dan Chandler to talk about the artwork and the symbolism behind the album title. On a larger level, the album title, ‘Graveyard of Empires,’ pulls a lot from what we’re seeing around us. It has a lot to do with the music business, it has to do with the whole Wall Street thing, Chandler told Loudwire.”To me it was more like being independent or just being an individual and being able to overcome a lot of these things.”

He continued to explain it, saying, “When I see these companies collapsing, it kind of makes me feel like you can do this on your own. People are going to fall so you can fall on your own or you can fall with a bunch of people, it’s just one of those things.”

Regarding the album art, Chandler originally had a different vision. He said, “The original idea was to have a real dancer. I wanted a really dark, gothic tattooed girl coming out of the coffin, and that was the idea.” After taking photos with a model and putting it all together, “it just didn’t seem to fit right,” admits Chandler.

After hitting that roadblock, the bands artist came to the rescue. “So then Jake, who did the artwork, threw out the idea of a smoky dancer and I thought it was awesome,” Chandler said. At first you don’t know if it’s just smoke or a dancer, but then you see what it is. I wanted it to be coming out of a music box, that was my first idea, and as soon as you backed up, you’d realize the music box was a coffin, just try to make it as twisted as I could. I turned out to be what it is and I’m happy with it, it looks really awesome – it’s dark and I love that s.”

Tune in next week for our full interview with Dan and listen to the latest single off of ‘Graveyard of Empires’ below.

Listen to Halo by Evans Blue

CHS artwork wins state awards, Ungles’ entry goes on to nationals

Saturday, February 4th, 2012


More than half the CHS artwork submitted for possible submission into a statewide art show in Wichita was accepted for exhibit and one piece will advance to nationals>

Epiphany Lutheran marking 85th year: New artwork to be dedicated on Sunday

Saturday, February 4th, 2012

Members and friends of Epiphany Lutheran Church will gather
Sunday morning to celebrate the congregation’s 85th year in
southwest Racine. And when they do, they will dedicate new
liturgical artwork created by local artisans for the church’s
sanctuary, in honor of the anniversary. 

Designed to look like stained-glass windows, the two large
paintings decorate the walls on either side of the church’s
chancel. Each one depicts an event from the Epiphany season and –
together with the real stained glass window in the chancel’s center
– they form a triptych, or three-paneled format commonly used for
Christian altar paintings as far back as the Middle Ages.  

Epiphany’s new artwork was created by the father/daughter team
of the Rev. Nathan Pope and Melanie Schuette, who — along with a
couple other family artisans — make up Racine’s Avignon Art
Studios. Pope, a retired Lutheran pastor, is a woodworker. And
Schuette, who majored in art at the University of
Wisconsin-Whitewater, is a painter. Together, they have been
creating liturgical art for Lutheran church altars in Wisconsin and
Illinois since about 2004, according to Schuette, who is a member
of the First Evangelical Lutheran Church, where her father served
as pastor. Their latest work for Epiphany features arch-shaped, oak
frames which Pope designed to open and close, so that the paintings
inside can be changed. Fashioned after the chancel’s Good Shepherd
window, Pope’s frames include wooden dowels, made to look like the
metal rods on the original stained-glass window. And Schuette
included lead lines in her paintings to give them the appearance of
stained glass, explained the Rev. Michael Zarling, pastor of
Epiphany Lutheran Church.

Schuette also used a special painting technique to make it
appear as if light is shining through the paintings, she said. “I
wanted to match the stained-glass look of the window that already
existed.”

Finishing touches

The Avignon pieces are some of the finishing touches on a
renovation of Epiphany’s sanctuary, which started last year and
included painting and wallpapering, increased lighting, refinished
woodwork and more. The result is a brighter sanctuary that speaks
more to the original, timeless design of the church than the
1970s-era look it had for many years, said Zarling, who is in his
eighth year at Epiphany. 

Eventually, the congregation hopes to commission a total of four
sets of paintings from Schuette — two for each of the four
liturgical seasons, Zarling said. “Everything we’ve done in the
last couple years has been designed to help get people excited to
be in God’s house,” he said. “And the paintings will get people
excited about every season of the church year. It’s all about
glorifying God.”

The new paintings also serve an educational purpose, according
to the pastor, who recently asked some Sunday School children to
explain the stories told in the two panels to the congregation’s
adults during a service. Using the paintings as reference, the kids
shared the stories of Jesus’ baptism, and that of the Magi being
guided by the star. A few of those kids, who also attend the
Wisconsin Lutheran School adjacent to the church, shared their
thoughts about the new paintings with us as well.

“They help me understand the story of Jesus’ baptism,” said Owen
Dey, age 6, 

“I like how the three rays are coming down to show Jesus’
holiness,” said Zarling’s 8-year-old daughter, Lydia.

Avignon’s artwork also makes the church more colorful, said
Mikaileh Kosterman, 9.

“They look like stained glass, but they are just paintings,”
said Maddie Bailey, 8. 

“They look real,” agreed Cody Holmes, also 8. 

Special guests

In addition to the dedication of the artwork, Sunday’s
anniversary services will feature music by the church’s Festival
Choir, as well as a choral group from the Wisconsin Lutheran
School. The Rev. Thomas Kraus and the Rev. Robert Wassermann, both
former Epiphany pastors, have been invited to attend the
celebration, Zarling said. And a potluck breakfast will be served
between services.

Those gathered will celebrate 85 years of worship by the
congregation, which originated as an offshoot from the First
Evangelical Lutheran Church, and whose full name is still the
English Evangelical Lutheran Church of the Epiphany. What has kept
the church going all these years, Zarling said, is “its dedication
to the truth. Even through the tough times, our people have stood
on the solid rock of God’s word.”

The church’s adherence to the strict teachings of the Wisconsin
Evangelical Lutheran Synod, is also one of the things that has kept
Bill Thoemke coming to Epiphany since 1936. Thoemke, who’s late
wife’s family helped found the church, said he also enjoys the many
social opportunities it offers, in addition to its Sunday
services. 

Having the school adjacent to the church provides more
opportunity for such things, he said. “It is a friendly church,” he
said. “Anyone who believes what we do is always welcome.”

Thoemke originally moved with his wife and four daughters to the
southwest neighborhood so that they could attend Epiphany and the
Wisconsin Lutheran School. He said he is glad to see the
congregation growing again, with more younger families attending
under Zarling’s leadership.

What used to be a neighborhood church, with a number of members
living within walking distance, now has members coming from as far
away as 4 Mile Road, Sturtevant and Somers, Zarling said.

Iron Designing crafts decorative metal artwork

Friday, February 3rd, 2012

WELLINGTON Whether it is a metallic biker, a deer head mailbox topper or a 30-foot gate depicting scenery, Iron Designing in Wellington has yet to meet a design it could not craft out of metal.

Some of the ideas are really far out there, but they all just come together, said DeeDee Fox, owner of the company.

The metal fabrication company went public beginning at the start of the year, but word-of-mouth and Facebook shares have already created a steady stream of customers. The company creates mailbox toppers, metal wall-mount art, fences, yard decor, name plates and custom truck hitches among other designs. Its website, www.irondesigning.com, includes galleries of past creations.

The company is getting back to business after a set back from the Wellington gasoline spill.

The 116,760 gasoline spill temporarily halted operations at Iron Designing, 706 N. Main St., next to the spill, for a week. The delay lost the budding business money as deadlines were missed when work could not be picked up and contact information was inaccessible.

We had no communication with our customers, it just hit us at the worst of times, Fox said. They wouldnt let us in here.

Though Iron Designing is recouping from the loss, the fabrication company continues to move forward. Some of its pieces have even sold to Sunoco Logistics employees cleaning the spill.

The business came about when Fox saw potential in metal fabricator Wally Fahlers work. Fahler had created metal artwork for years as a hobby before Fox convinced him to go in to business with her.

I like to weld and build and create and everything and thats how this came around, Fahler said. It was just something that I did. Continued…

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‘Amistad’ and kids’ artwork are vital for Kelly Otte

Wednesday, February 1st, 2012

A few artful questions from COCA for Kelly Otte, executive director, PACE Center for Girls.

Can you play a musical instrument?

I play a mean (computer) keyboard.

Do you own any original art?

I have framed artwork from both of my children plastered all over my house. Even in the commode!

What was the first concert you ever attended?

My parents would have told you that it was the Marine Corp Band when I was 16. But it was really a Helen Reddy concert at the Kirkwood Ski Resort in Lake Tahoe when I was 15 and was supposed to be spending the night at a friends house. Dont tell my kids.

What book is on your nightstand right now?

The Marriage Plot by Jeffrey Eugenides. Thank goodness you didnt ask me last week.

When was the last time you danced?

About eight months ago at my friends wedding.

What was the last live performance you saw?

The Celebration of Women and Girls, benefitting PACE and Oasis in September of 2011.

What movie has most affected you?

Amistad. I sat in the theater and sobbed. The movie did an extraordinary job of showing the incredible ugliness of slavery in a way that I had never seen. And will never forget.

What was the last thing you made by hand?

Earrings for several of my colleagues at PACE.

When was the last time you were on a stage?

Giving a speech in Tampa in October about the connection between child abuse and domestic violence.

What artistic talent do you wish you had?

I really wish I could play the guitar. But my mom started playing the banjo when she was 57, so I figure I still have time!

#x2014; Visit COCAs websites at www.cocanet.org and www.morethanyouthought.com. Send suggestions for artist profiles, news items, story ideas or fun facts to COCA at cultural@cocanet.org.

Ferrari: ‘It’s driving artwork’

Tuesday, January 31st, 2012

Few cars generate the kind of emotion, excitement and envy as the mere mention of Ferrari.

What is it about the Ferrari?

Its difficult to answer, said Jeff Segal, a driver of the No. 69 Ferrari 458 Italia GT in the Rolex 24 at Daytona. Its a lot of different things.

You look at the car; it looks like its going 200 mph while its standing still, said Segal, who lives in Miami. Every sensory input you have gets attacked when you come near that car. Driving it is simply remarkable.

Segal has worked at the Ferrari Driving Experience in Canada and said even the street cars, straight out of the showroom, are phenomenal race cars.

For Bonnie Morrison, a member of the Ferrari Club of America, the mystique of the Ferrari lies in its lines and its passion.

Its driving artwork, said Morrison, a North Carolina resident who graduated from Embry-Riddle Aeronautical University in Daytona Beach. Its just amazing.

The return of the Ferrari attracted the club back to Daytona for the first time in 20 years, said Steve Selz, a regional director for Ferrari Club of America. Its exciting to see Ferrari back in Grand-Am racing and actually have a competitive car.

For Ferrari, the factorys return to the American market was important, said a Ferrari spokesman, Andrew Bordin.

And to be successful in this market, you have to be at this race, especially with the car buffs at this level.

The race car is the result of a two-year project to produce a race car specifically with the Rolex series in mind.

The specs between the Ferrari Grand-Am car and the street car are similar and both are very fast, Bordin said. The street car, with a 530 horsepower engine, will do 0 – 60 in less than four seconds.

You can literally take it off the floor and go to the track, Bordin said.

As for the competition this weekend, Segal said the car manufacturer doesnt mess around.

When they come to Daytona, they come to win, Segal said. Ferrari won the overall 24 hours in 1963, 1967 and 1972.

Al Brewer of Daytona Beach is happy to see Ferrari back in the Rolex. Its always exciting to see an exotic brand name come into a GT series, he said.

I tell you what, they (Ferrari) look pretty serious; it looks like a serious effort, said Brewer, who was a national judge for Ferrari show competitions for years. When Ferrari puts out an effort, they tend to shoot for the top.

Ferraris only problem this weekend is Hurley Haywoods Porsches, which will be fighting for the top, said Brewer, who recently bought a new Porsche.

MORE: Rolex 24 | Photos | Full schedule

Artwork of Mental Health Clients On Display in Warren

Monday, January 30th, 2012

A Trumbull County mental health center displayed the artwork of some of its clients at an art show in Warren on Wednesday.

The artwork of about 35 clients from Valley Counseling Services and other area mental health agencies lined the walls of the Trumbull Art Gallery for the Valley Community Mental Health Foundations 2nd Annual Art Show and Reception.

I draw. Its a way of expressing myself. Its not necessarily for me. Its for you, or for anyone else. Its not what I get out of it, its what you get out of it, said client Dave Reahle.

Reahles artwork was a tribute to the late Beatles singer John Lennon. Hes been drawing since the age of 4.

Ive been into John Lennon since I was 10. Well, the Beatles. But John Lennon since I was 10 years old, Reahle said.

Some of the artwork was done during sessions, and for some its a hobby. Professionals at Valley Counseling Services said art can really help clients express how they feel.

Its a great point of sharing and relationship building between the mental health professionals and our clients, said Tim Schaffner, executive director of Valley Counseling Services.

He believes its a good form of treatment for mental illness.

Any way that we can help somebody express their feelings and their thoughts and their fears is a way that we can process those with them and really help them on the road to recovery, Schaffner said.

We just want to display the work of our clients and give them an opportunity to show what they can do and that theyre doing great, said Jim Brutz of Valley Community Mental Health Foundation.

The art show also was a charity fundraiser. All of the money raised will go to Valley Counseling Services. The artwork will be on display through Feb. 1 at Trumbull Art Gallery in downtown Warren.

Artwork dealing with homeless on display at Arts Council

Wednesday, January 25th, 2012

Cape Girardeaus Community Caring Council and the Arts Council of Southeast Missouri are partnering for an event both hope will propel conversations on homelessness in the area.

Opening Doors to the Homeless is an exhibit on display in the arts council gallery, 32 N. Main St. in Cape Girardeau, and features a variety of artwork by people who have experienced homelessness or were affected as a helper to the homeless in the community. A reception will be held for the exhibit Jan. 14 where the Community Caring Council will engage attendees on the topic of homelessness in Cape Girardeau, said Murielle Wyman, director of the arts council.

Natalie Sandoval, a social worker with the Community Caring Council, and Wyman coordinated the event after being introduced by Nancy Jernigan, executive director of the United Way of Southeast Missouri. It will be held as a Saturday Social, which are events where people who arent necessarily part of the art community but are still engaging in artistic activity can come and share their experiences, Wyman said.

The development of the partnership is an effort by the arts council to continue regional outreach efforts toward residents of all ages in a variety of artistic venues, Wyman said, but that also means including outreach to people in all walks of life, such as those who have been affected by homelessness.

The arts should be a democratic process where everybody can create art and express themselves in some way or another, she said.

Most works in the exhibit are for sale. Seventy percent of the proceeds from any pieces sold will go to the artist, while the remainder will go to support the Community Caring Council. The council consists of members from around 70 agencies that work together to address social issues in the community.

Linda Garner, executive director of the Safe House for Women, worked with Sandoval to find pieces that would fit with the show. Several works were created by clients of the shelter. The shelter encourages art therapy for clients and the pieces for those clients can represent a healing process for those who have been victim of abuse or homelessness, Garner said. Safe House for Women volunteers also donated pieces to be displayed in the show.

Garner viewed the exhibit at Decembers First Friday open house event and said she saw a positive response from the community.

Sandovals highlighting of the issue of homelessness in the community is something Garner said she observed people definitely responding to during that event.

A different way of framing that message is through art, and I thought it was very effective, she said.

Wyman said speakers at the reception will include people who work with the homeless and a representative from the Community Caring Council who will talk about the groups mission.

The reception will be held from 1 to 3 pm Jan. 14 at the arts council. The exhibit will be on display through Jan. 28.

eragan@semissourian.com

388-3627

Pertinent address:

32 North Main Street, Cape Girardeau, MO

937 Broadway, Suite 102, Cape Girardeau, MO